Field Recordings from Vietnam, Myanmar and Japan. http://www.gruenrekorder.de/?page_id=399

We can´t listen to the water itself. We can only hear the impact of water on something.
When I listen to the sounds of shallow stream for a while, suddenly I feel as if I was caught
in the water and listening them from inside of the water. When I listen to the sounds of
water dripping in quiet situation, my ears enjoy listening to the rhythmic patterns of its
occurrence and fading into the back ground. The sounds of water make random rhythm,
delicate melody and subtle overtones which vary depending on the physical contact surface,
room reverberation, spatial size and so on. In other words, the sounds of water reflect the
character of the space. And the space emerges through the sounds. In that sense, we may
listen to the scenery through the water rather than listen to the water in the scenery.


01 Bathroom, April 2006, Kontum, Vietnam.
02 Cicada and Stream, June 2007, Kyoto, Japan.
03 Frogs in a Shirine, May 2005, Kyoto, Japan.
04 Hanoi Rain, August 2006, Hanoi, Vietnam.
05 Hallow Pole on the Beach, September 2007, Tsuruga, Japan.
06 Kyauktan , December 2004, Kyauktan, Myanmar.
07 Rainy Morning, June 2007, Kyoto, Japan.
08 Shishiodoshi, August 2007, Kyoto, Japan.
09 Sagaing Hill, December 2004, Sagaing, Myanmar.
10 Uguisu, July 2007, Kyoto, Japan.
11 Under the Stream, August 2007, Kyoto, Japan.
http://www.gruenrekorder.de/?page_id=252

Field Recording Series by Gruenrekorder
Gr 060 LC 09488 Germany 2009
www.gruenrekorder.de